
Rithi's main piece was `Ma moham thane meerude', a composition of Dandayudhapani Pillai in Nattakurinji. Rithi engrossed the audience with her very expressive eyes.

Nagapriya's nattuvangam had good reach. One, however, felt that she could have given better modulation in her jathis. The pronunciation of `kidathaka tharikitathom' could also have been better.
Rithi went on to do `Thottu thottu pesa varan' in Behaq. The piece was choreographed well but it was a tad too slow. The naughty Krishna and his deeds that Rithi was portraying would have suited a faster version of the song. Rithi completed her performance with a Dhanasri thillana by Swati Tirunal. Her Nritta needed to be work upon even in tillana. Rithi, nonetheless, managed to leave a positive impact. Rithi is, no doubt, young and has time to improve. And, with a Guru like Nagapriya Karthikeyan, she has every chance to make it to the top.
The other members on stage were: Sri Ramesh (flute), Sri V. Vedakrishnan (mridhangam) and Sri Muruganandam (violin). The music for the recital was classy and tasteful.